Issues : Annotations in teaching copies
b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the R.H. and in bars 4-5. category imprint: Differences between sources |
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b. 3
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. Similarly in the L.H. and in bars 4-5. category imprint: Differences between sources |
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b. 4-5
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, added in pencil, most probably by Miss O'Méara, could have been indicated to her by Chopin. According to us, the numeral under the last quaver in bar 4 can be interpreted in two ways – as '4' or as '1'. category imprint: Graphic ambiguousness; Differences between sources |
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b. 33
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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The fingering, written probably by a pupil, can come from Chopin. category imprint: Differences between sources |
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b. 46
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composition: Op. 35, Sonata in B♭ minor, Mvt IV
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Between bars 46 and 47, GC (→GE) and FE1 (→FE2) include another two bars, identical to bars 9-10. It is probably a result of a mistake at the time of performing an abbreviated marking of bar 39 and following with numerals as repetitions of the respective bars of the beginning – Chopin marked 10 bars in this way instead of eight. The composer removed the superfluous bars in the proofreading of FE3 and in the base text to EE, he also deleted them in FESch and two (according to Mikuli) pupil's copies, belonging to Fryderyka Streicher and Marcelina Czartoryska. category imprint: Differences between sources; Corrections & alterations issues: Annotations in teaching copies , Errors of A , Authentic corrections of FE , Authentic corrections of EE , Changed phrase length , Annotations in FESch |